We cannot champion Network Neutrality without admitting that the Internet is no Utopia.
Think about regret as if it were sin. Some regrets are mild, but acute. The regret associated with choosing the wrong supermarket checkout lane, or buying an outfit that you notice goes on sale the next week—these seem woeful. They chafe, but their pains are pin pricks that soon subside. These are venial regrets. Regret is more severe when it steeps… read more
Services like Silvercar, Uber, and pay-to-play airline VIP programs help keep the new aristocracy away from the rabble
When I power on my phone upon landing at LAX, a text message is already waiting for me: “Hi Ian, Silvercar here! We have your res at 1:00pm today. Let’s roll!” Silvercar rents a fleet of silver Audi A4s at airports in Austin, Dallas, Los Angeles, and San Francisco. A slogan speaks plainly on the company’s behalf: “car rental that doesn’t… read more
Why playing stupid games staves off existential despair
Games are grotesque. I’m not talking about games like Grand Theft Auto or Manhunt, games whose subjects are moral turpitude, games that that ask players to murder, maim, or destroy. I mean games in general, the form we call “games.” Games are gross, revolting heaps of arbitrary anguish. Games are encounters with squalor. You don’t play a game to experience an… read more
or the Exhausting Work of the Technology User
In 1930, the economist John Maynard Keynes famously argued that by the time a century had passed, developed societies would be able to replace work with leisure thanks to widespread wealth and surplus. “We shall do more things for ourselves than is usual with the rich to-day,” he wrote, “only too glad to have small duties and tasks and routines.” Eighty years… read more
Op-ed in the Atlanta Journal Constitution
Everyone’s been there: you’re having a face-to-face conversation when your interlocutor reaches for her smartphone. Just as often you’re the culprit: pawing your iPhone at family dinner, stealing glances at Facebook during a business meeting. It took fifty years for computers to move from office basements to handbags, and scarcely five more for them to enter our pockets. Now we… read more
An essay and book series on the hidden lives of things
Earlier this week we launched Object Lessons, an essay and book series on the hidden lives of ordinary objects, published by The Atlantic and Bloomsbury and edited by me and Chris Schaberg. We’ve been working on getting this going for months, and I’m excited to finally be able to unleash it on you. Here’s how it works: Object Lessons invites… read more
Why the physical form of smartphones and the unreliable operation of cellular networks has made hanging up the telephone impossible.
“Can I use my telephone to call Grandma?” my daughter asks. She means the Western Electric model 500 we bought at an antiques store at her insistence — a curiosity that is now more household sculpture than communication appliance. The model 500 is the most common telephone set ever made, issued by Bell Systems from the 1950s through their divestiture… read more
Today, the most novel feature of new technology is ordinariness.
The logo for the Dutch videogame studio Guerrilla Games is an object lesson in mixed metaphor: an orange “G” contorted into the chevron shape of a military rank insignia. Guerrilla insurgencies are often organized and sometimes even state-based, but they are hardly represented by the formal emblem of command and control military structure. Guerrilla warfare is irregular, asymmetrical, and lithe.… read more
A new multi-touch puzzle game for the iPad and iPhone is about form, not function—and it's about to become a status symbol.
Some media exists for you to “consume”: to read, to watch, to play. Even though a book, television show, or video game isn’t destroyed by this encounter like a cheesesteak or a firework might be, the creative work is meant to be made a part of ourselves. To transform us in some way. But other forms of media don’t aspire… read more
A teaser for my latest game
I’ve been quiet lately because I’ve been working like a madman to complete my latest game, a commission in the Museum of Contemporary Art Jacksonville’s Project Atrium series. The game takes the form of an installation that will run at the MOCA from November 17, 2012 through March 10, 2013. But don’t worry if you can’t get to Florida—a version… read more