On massiveness, students, and flipped classrooms
The annual Computing Research Association conference is taking place this week at Snowbird in Utah, and one of today’s plenaries is about online eduction and Massive Online Open Courses (MOOCs). Reading the description of the session, I noticed two common positions on MOOCs that I think are rhetorically effective yet misleading. The “massive” numbers of “students” Citing enormous enrollment numbers… read more
The question is, can they be more?
Earlier this week, Georgia Tech and eleven other higher education institutions announced their participation in Coursera, a company that hosts online courses. Reactions have been predictably dramatic, as exemplified by Jordan Weissman’s panegyric in the Atlantic, titled The Single Most Important Experiment in Higher Education. I’ll spare observations on the obvious problems with Weissman’s article, like the witless claim that… read more
Notes on the Rise and Fall of Blackberry
In January 1995, a year and a half before Hotmail launched the world’s first web-based email service, a landmark California law banning smoking in most public places went into effect. Back then smoking was already on the decline, especially in California, but it was probably still more common than having an email account. The change was most immediately noticeable in… read more
D. Scott Williamson's "impossible" adaptation
In the fifth chapter of Racing the Beam, Nick and I discuss Howard Scott Warshaw’s popular Atari game Yars’ Revenge. The game is often called Atari’s most successful original game for the Atari 2600, but in fact it was originally meant to be an adaptation of Star Castle, a then-popular vector-graphics game by Cinematronics. But, because of the very different… read more
Three links
There’s been a small flurry of discussion about the New Aesthetic lately, several takes on which have connected it to object-oriented ontology. If you don’t know what “the New Aesthetic” is not to worry, the articles linked here explain it in addition to arguing for (or against) its relationship to OOO. First, Greg Borenstein’s response to Bruce Sterling’s New Aesthetic… read more
From the New Aesthetic to Alien Aesthetics, at the Atlantic
You know that art has changed when a new aesthetic movement announces itself not with a manifesto, but with a tumblr. Manifestos offer their grievances and demands plainly, all at once, on a single page—not in many hundred entries. “Literature has up to now magnified pensive immobility, ecstasy, and slumber,” wrote Filippo Marinetti in his 1909 Futurist Manifesto. “We want… read more
In the New Scientist "Big Ideas" column
Are everyday objects, such as apple pies or microchips, aliens? It depends how you think about what it’s like to be a thing. This essay appeared in the
The style of thatgamecompany
While we often see the evolution of artists working in old media, ever-shifting technical terrain tends to obscure videogame makers’ aesthetic trajectories. In Thatgamecompany’s pathbreaking and gorgeous games for the Playstation 3, we get the rare chance to watch these artists at work against a fixed technological backdrop. My review of thatgamecompany’s Journey, in the context of a discussion of… read more
Work with me at Georgia Tech Digital Media
We have a job opening for a staff position in my program at Georgia Tech. The job is for an Academic Professional, who will serve as assistant to the Graduate Program in Digital Media. You get to work with me and nine other core faculty in the program, as well as with others in the School and College, to help… read more
Originally published as an opinion piece at Gamasutra In Greek mythology, Bellerophon is the hero who tamed the Pegasus. He used the winged horse as a mount to defeat the Chimaera, a monster with the heads of a lion, goat, and snake that breathed fire and devoured villagers. Bellerophon’s many heroic deeds were widely praised, and his subjects adored him.… read more