Jane Austen on Facebook
In the vein of Hamlet in Facebook, here is Austenbook, a version of Jane Austen’s Pride and Prejudice in Facebook News Feed format. Like Hamlet in Facebook, Austenbook is a hypothetical adaptation of literature for social media; it adds the look and feel of a newsfeed, but the latter’s writing isn’t as snappy as the former. Worse, the addition of… read more
The vices and virtues of selective color shift at high ISO in the Sigma DP1
One of the problems with digital SLRs is their large footprint. Not only the size and weight of the camera, but also that of the lens attached to it, especially for serious photographers interested in large apertures and high-quality glass. This is an issue that affects professionals and amateurs alike, since both groups might want to have a smaller, more… read more
Or, why Arby's Cheesecake Poppers are seriously nasty
Being a fan of the limp, slightly wet roast beef sandwich, today I luncheoned at Arby’s. In addition to the more savory offerings, they had a new dessert option (new to me, at least): Arby’s Cheesecake Poppers. Behold: These are little deep-fried cheesecake bits served with a sweet raspberry sauce. Sounds pretty good in theory. Not good for you, of… read more
Musings after several months of use, as I prepare to start the semester
This spring, I created an account on Facebook. I’m a web 2.0 cynic (and a cynic in general), so this surprised some of my friends and colleagues. But I was encouraged by so many of them, I wanted to give it a try. For example, Ian McCarthy just wanted an easier way to share pictures with me without having to… read more
Reflections on making books that work more like software
What I have in mind is not much different from Raymond Queneau’s Cent mille milliards de poèmes, a configurative sonnet of 1014 possible configurations. Queneau’s composition is a bit too configurative for my purposes, but the principle is instructive. What if we could take core principles of an argument like the one I make in Unit Operations and offer different… read more
Persuasive Games, my book about games and rhetoric, is now available.
My new book, Persuasive Games: The Expressive Power of Videogames, is out and shipping from Amazon.com or your favorite bookseller. The book is about how videogames make arguments. I offer a theory of rhetoric for games, then I discuss a great many examples from commercial and non-commercial games, focusing on the areas of politics, advertising and learning. The book should… read more
The Expressive Power of Videogames
This book is available in digital or physical format. Buy from Amazon A book about how videogames make arguments: rhetoric, computing, politics, advertising, learning. Videogames are both an expressive medium and a persuasive medium; they represent how real and imagined systems work, and they invite players to interact with those systems and form judgments about them. In this innovative analysis,… read more
An Approach to Videogame Criticism
This book is available in digital or physical format. Buy from Amazon A book about comparative videogame criticism: games, philosophy, literature, and art. In Unit Operations, Ian Bogost argues that similar principles underlie both literary theory and computation, proposing a literary-technical theory that can be used to analyze particular videogames. Moreover, this approach can be applied beyond videogames: Bogost suggests… read more
A riposte to the Critical Simulation section of Noah Wardrip-Fruin and Pat Harrigan's edited collection First Person
You can buy First Person: New Media as Story, Performance, and Game in print. You an also read this article with cross-references to other pieces in the volume at the electronic book review. Simon Penny discusses a specific kind of physical embodiment, having to do with corporeal coupling to simulation devices and videogame characters. Reading his call to consider the… read more